jamesenge: (eye)

As a kid, I was very creeped out by this Bantam cover of Miller’s A Canticle for Leibowitz when I found it on my parents’ bookshelf. I was already reading sf, but somehow that didn’t seem to apply to this book (which was carefully not packaged as sf in its first few paperback editions). The monkish figure in the foreground seemed deeply sinister to me. I could hear him snarling whenever I looked at the cover.

The cover of Miller's A CANTICLE FOR LEIBOWITZ in the "Bantam Fifty" series. The blood-red cover image has in the foreground a monkish figure painted largely in black with a few details in red; he grasps a document in white with his right hand; in the background is a line of mostly ruinous buildings.The cover blurb: In the tradition of BRAVE NEW WORLD and 1984, this is "an extraordinary novel, terrifyingly grim, prodigiously imaginative, richly comic." (The quote is attributed to the Chicago Tribune.)
artist unknown

I finally picked it up and read it in a later edition with a gorgeous coppery-gold cover painting by Lou Feck, at which point it went straight onto my “always reread” list. (Wish I still had that copy; later printings masked most of the image with a white frame.)

The aforesaid cover. A coppery-gold impressionistic image of a cityscape combining elements of ruinous skyscrapers with a medieval monastery.
The Bantam edition from 1969; Lou Feck is the artist.

I don’t remember ever discussing the book with either of my parents, which seems like a missed opportunity in retrospect. They weren’t sf/f fans, but they were very bookish people and very Catholic people; I’m sure they’d’ve had interesting things to say about it.

If they read it, of course. In those days, many a bookshelf was littered with bestsellers that were never read. But my parents’ libraries, like that of the younger Gordian, were designed for use rather than ostentation.

Mirrored from Ambrose & Elsewhere.

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